Exploring Gender through Identity and Migration

Until November 10th, the Paris-based contemporary art space La Galerie will host the +50 EXHIBITION, a group exhibition dedicated to exploring the concepts of migration and identity and their place in our society by addressing and questioning the subject of gender and sexual identity.

Curated by Mehdi Dakhli, founder of traveling gallery Contempo, the exhibit reflects on the 50th anniversary of the Stonewall riots that took place in New York in 1969 – a major catalyst for the fight for equal rights for the LGBT+ community – and explores the fight that persists globally for the LGBT+ community, half a century later.

In this context, Mehdi Dakhli joined forces with several contemporary artists including Soufiane Ababri, Raphaël Chatelain, Andrej Dubravsky, Cleo Kinnaman, Carlos Motta, and Vittorio Santoro, who have all agreed to unite and raise awareness around the LGBT+ community’s on-going battle for inclusivity.

Dakhli de facto started conceptualising the exhibition project around the work of Raphaël Chatelain, a Los Angeles-based photographer who followed the Caravan Migrants, a group of Central American migrants who attempted to head north from Honduras and southern Mexico with the hope of reaching the United States.

During the migration, an LGBT+ community formed to protect itself from discrimination and aggression perpetrated by other members of the Caravan. For several weeks, Chatelain followed these people on their journey, helping them to collect funds, and documented their daily life through a series of photographs. His work is now on show in the +50 EXHIBITION.

In addition, a limited edition collection of t-shirts featuring a special design by Carlos Motta in collaboration with curator Mehdi Dakhli and creative director Dan Sablon will be available for purchase at the Merci concept store in Paris and online via www.merci-merci.com. Proceeds from the exhibition and t-shirt sales will benefit Rainbow Railroad, a non-profit organization helping the LGBT+ community. 

SHARE
  • Facebook
  • Twitter
  • Pinterest
SIMILAR ARTICLES
Travelling without moving at Armani Privé
By Gianluca Cantaro
“The idea of this show originated from a memory. In 1990 I used an ikat blanket I found in a flea...
By Gianluca Cantaro
“The idea of this show originated from a memory. In 1990 I used an ikat blanket I found in a flea market to tailor three jackets for the spring summer collection”, explained Giorgio Armani before the Privé show. “What I liked about this particular technique was the blurred effect of the motifs,...
“The idea of this show originated from a memory. In 1990 I used an ikat blanket I found in a flea market to tailor three jackets for the spring summer collection”, explained Giorgio Armani before the Privé show. “What I liked about this particular technique was the blurred effect of the motifs, the fact that the decorations were never well defined and I conveyed this concept by concealing the...
The Show Must Go On
By Elisabeta Tudor
Ready-to-wear fashion shows by top brands are often elaborate star-studded affairs. Haute Couture...
By Elisabeta Tudor
By Elisabeta Tudor
Ready-to-wear fashion shows by top brands are often elaborate star-studded affairs. Haute Couture shows, however, take the glitz and glamour to an entirely different level, and Paris' currently on-going high fashion extravaganza is no exception. Speaking of glitz and glam: over his 50-year-long...
Ready-to-wear fashion shows by top brands are often elaborate star-studded affairs. Haute Couture shows, however, take the glitz and glamour to an entirely different level, and Paris' currently on-going high fashion extravaganza is no exception. Speaking of glitz and glam: over his 50-year-long career, Jean Paul Gaultier has excelled at staging fun-filled Haute Couture shows at his headquarters...
Can Haute Couture Survive In The New Decade?
By Elisabeta Tudor
The answer is plain and simple: it has to, as the craftsmanship it is based on carries the hope...
By Elisabeta Tudor
The answer is plain and simple: it has to, as the craftsmanship it is based on carries the hope for a plausible form of sustainable fashion. And, according to the first Spring/Summer 2020 shows in Paris, there is a growing interest for Haute Couture itself and the levels of craftsmanship and...
The answer is plain and simple: it has to, as the craftsmanship it is based on carries the hope for a plausible form of sustainable fashion. And, according to the first Spring/Summer 2020 shows in Paris, there is a growing interest for Haute Couture itself and the levels of craftsmanship and textile innovation it implies. In fact, the Paris Haute Couture Week – which has just started today –...
Dior's Peplos-Wearing Feminists
By Gianluca Cantaro
Once again, Maria Grazia Chiuri proposed her...
By Gianluca Cantaro
By Gianluca Cantaro
Once again, Maria Grazia Chiuri proposed her feminist manifestos at today's Dior's Haute Couture show. This season, the 80-year-old American feminist artist Judy Chicago, who has been investigating the role of women in history and culture in her work....
Once again, Maria Grazia Chiuri proposed her feminist manifestos at today's Dior's Haute Couture show. This season, the 80-year-old American feminist artist Judy Chicago, who has been investigating the role of women in history and culture in her work. Chicago’s work inspired Chiuri, who collaborated with the French Maison on a series of exclusive...
At Lanvin Corto Maltese Got the Look
By Gianluca Cantaro
Bruno Sialelli, Creative Director at Lanvin, finally shook off the Loewe imprinting that was...
By Gianluca Cantaro
Bruno Sialelli, Creative Director at Lanvin, finally shook off the Loewe imprinting that was blurring his vision and delivered a Hugo Pratt's Corto Maltese inspired collection marking a substantial design switch from the previous ones, that somewhat resembled his past job at the Spanish brand....
Bruno Sialelli, Creative Director at Lanvin, finally shook off the Loewe imprinting that was blurring his vision and delivered a Hugo Pratt's Corto Maltese inspired collection marking a substantial design switch from the previous ones, that somewhat resembled his past job at the Spanish brand. Sialelli continued the collaboration with cartoonists, started when he first took the helm of the...
Paris Unveils a Man in All His Greatness
By Frédéric Martin-Bernard
At the beginning of the menswear season in Paris,...
By Frédéric Martin-Bernard
By Frédéric Martin-Bernard
At the beginning of the menswear season in Paris, Alexandre Mattiussi made a statement by celebrating the 9th anniversary of his label Ami with a birthday party that notably featured accordion music, red velvet curtains, and movie sets. The following day,...
At the beginning of the menswear season in Paris, Alexandre Mattiussi made a statement by celebrating the 9th anniversary of his label Ami with a birthday party that notably featured accordion music, red velvet curtains, and movie sets. The following day, Tahliah Debrett Barnett, aka FKA Twigs, performed live during Valentino's latest menswear show....
Paris Menswear’s Final Bow
By Marta Represa & Elisabeta Tudor
It might be a Fashion Week Sunday, but for Alejandro Gómez...
By Marta Represa & Elisabeta Tudor
By Marta Represa & Elisabeta Tudor
It might be a Fashion Week Sunday, but for Alejandro Gómez Palomo, that’s no excuse to forego church. The Andalusian designer reconnected with the Catholic heritage of his native Spain and turned a minimal concrete space in the 19ème arrondissement into...
It might be a Fashion Week Sunday, but for Alejandro Gómez Palomo, that’s no excuse to forego church. The Andalusian designer reconnected with the Catholic heritage of his native Spain and turned a minimal concrete space in the 19ème arrondissement into his own temple by having his models walk while carrying thuribles loaded with incense and Paschal...
Loewe's Playful Wardrobe
By Gianluca Cantaro
"I wanted to be optimistic and joyful,” explained Creative...
By Gianluca Cantaro
By Gianluca Cantaro
"I wanted to be optimistic and joyful,” explained Creative Director Jonathan Anderson after the Loewe show. "I imagined a child that plays with mom's ball gown in front of the mirror, giving a 2D effect to the 3D object.” Being positive is often...
"I wanted to be optimistic and joyful,” explained Creative Director Jonathan Anderson after the Loewe show. "I imagined a child that plays with mom's ball gown in front of the mirror, giving a 2D effect to the 3D object.” Being positive is often synonymous with being light-hearted, something that lets you enjoy life (and clothes) as it is without any...